This piece is part of my 2016–2026 archive migration. Some original formatting, content, and external links may be missing, changed, or not be optimized.
Black people often play derogatory roles in the classic film era
One of my friends recently asked me why I don’t watch more black films from that classic era.
As I reflected more on the question, I realized that many African-Americans are depicted in derogatory ways, play similar roles (e.g., maids, poor people, and uneducated), or are infrequently the main character. It’s a big turn-off for me.
Sidney Poitier breaks the stigma with many of his films in which he often plays an intelligent, amiable, and affluent character. He is also often a primary character in his films, but he wasn’t the norm.
I understand that the roles and opportunities weren’t as diverse as they are now for African-Americans. Still, I often feel uncomfortable seeing black people play stereotypical roles and say stereotypical things in these roles, which only perpetuate ignorant stigmas that can be dangerous to African-Americans.
Many black women play the maid or the “eccentric” woman in many movies, which bothers me. Hence, I stick to the movies that don’t have them at all, so I can avoid facing the reality of those times for African-Americans, which weren’t so friendly.
Hattie McDaniel
This woman is enamoring. She fills your heart with love and laughter. She also knows how to acquire your attention in every role she plays – even though they’re usually maid roles.
Hattie McDaniel is a perfect example of why I often don’t watch many black classic films because they place her in the same role every single time.
By 1937, Hattie McDaniel was the go-to actress to play comedic, sassy maids and “Mammy” characters, roles that, according to Watts, were usually “derogatory and servile.” But after years of struggle and uncertainty, McDaniel was pragmatic. “I can be a maid for $7 a week, or I can play a maid for $700 a week.” (source: Vanity Fair)
Hattie McDaniel utilized perceived “negative” circumstances to her benefit. But it still demonstrates a problem within the classic film era. Her roles should have been more diverse; instead, she was boxed in with limited character options.
I have watched classic black films, but it’s still never at the top of my list. It’s easier to avoid the limited and small selection of black film as it is on TCM. However, TCM is making an effort to expand diversity on its network, educate viewers, and offer spotlights for African-American creators, actors, directors, and producers. I’ve been able to educate myself on African-American history through TCM. I highly recommend the channel if you’re into this kind of stuff.
This content is for informational purposes only — not professional advice. Consult a qualified professional before making any major decisions.